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Spectacula Film Produzione Rome pro: Albert Moore Guido Zurli sc: Guido Zurli, Vito Bruschini ed: Gianni Adamo Gangly transexual Ajita Wilson plays Claudine, a young reporter, who goes undercover to bust up a sex-drugs and murder, in this Dick Randall produced potboiler, that's low on thrills and filled with unappetizing skin.

Traumatized by her past, Ajita keeps dropping her knickers, mainly because she can'tforgel some plodding Euro funk tune. Will she crack up before she breaks the case? Or will she find another funky number to turn heron? If you can sit through this tired celluloid you'll find the answers Alessandra Ricardi Infantilli ex pro: Luciano Vincenzoni, Nicola Badalucco sc: Adriano Pischiutta asst dir: The plot is based upon a true series of murders which occured In Correggio in An extremely old and podgy Shelley Winters plays the murderous, hatchet wielding mother who chops up her victims and boils down their remains in her 'big cauldron' the Italian title , with considerable gusto.

In a bizarre piece of casting Max Von Sydow has a dual role as a woman and the police inspector on the case. The Forties period atmosphere is significantly enhanced by some beautiful photography and lighting. International Cine Holiday dir: Luigi Batzella Paolo Solvay ph: Three Stars '76 Production pro: Bruno Mattei pro man: Marcello Di Paolo asst dir: Fairly grim concentration camp fodder from Mattei, who has managed to achieve the unenviable goal of coming up with one of the most tasteless examples of the genre.

Pretty much devoid of any redeeming features, the film still manages to exert a morbid fascination as an example of just how low trash cinema can descend. Vinicio Marinucci, Sergio Garrone ph: Roberto Pregadio, Vassili Kojucharov cast: Notable mainly for the ridiculous testicle transplant scene which the film builds up to with the subtlety of a charging rhino. UK - Go Video. Lorenzo Gicca Palli ph: Manlio Camastro pro des: Did it receive a cinema release anywhere else apart from Italy?

Diego Alchimdede pro man: Rino Salvatore di Silvestro ph: Coriolano Lallo Gori ad: Tony La Penna cast: There's also some relatively graphic blood-letting including an axe in the head in the currently available British 'cheapie' letterboxed video release, although a rape scene has been deleted.

Cinescorpion Produzione Cinematografica pro: Mario Mariani pro man: Dino Di Salvo Pietro Grifi dir: Albert Thomas Adalberto Albertini St: Adalberto Albertini, Ambrogio Molteni ph: Jurakic Antonia Giusti ad: Fiorenzo Magli, Luigi Groppo asst dir: A jealous girlfriend intercepts their letters and causes the despondent Emy to attempt suicide and then fall into a life of prostitution. Although they are eventually re-united, George contracts an incurable illness and dies.

Emy responds to his death by ritualistically commiting suicide. A loose re-working of Puccini's Madame Butterfly which is slightly classier than most of the many Emanuelle spin-offs.

Mario di Nardo dir: Enzo Micarelli pro des: Dimitriadis Athens assoc pro: Dimitri Dimitriadis pro man: Arpad de Riso, Maurizio Pradeaux ph: Eugenio Alabiso asst ed: Alessandro Sarandrea asst dir: Having been framed for a murder in a train carraige on the Istanbul -Athens express, fashion photographer Leonard Mann sets out to prove his innocence and catch the real culprit.

Along the way he's helped by his Swedish girlfriend, played by the insipid Vera Kruska, and an annoying petty criminal. Despite a couple of well delineated murders razor slashes courtesy of Genaro Visconti and a notable lesbian coupling filmed in extreme close-up ala' Franco this is not a successful film. The running time Is padded out with unecessary attempts at humour, presumably in an attempt to make up forthe lack of plot. The denoumentis patently ridiculous.

Cesare Canevari, Antonio Lucarella ph: That's the enigmatic plot resume in an Italian film reference book. Guido and Maurizio De Angelis md: Giuseppe Rinaldi Probably the best archetypal mondo movie since MONDO CANE , with shocking true life' footage of religious zealots cutting off their own tongues, fakirs piercing their skin with needles, public executions, porn shows where the male performers can't get an erection, wild animals eating each other, etc. Sergio Garrone pro man: Vinicio Marinnucci, Sergio Garrone ph: With the budget, cast, crew and sets and plot!

One is usually 'stronger" than the other. Just watch the more famous one if you really have to. It's bloodier and nastier, although I wouldn't say better Garrone is now apparently the owner of a pizza restaurant but I have strong doubts that hell save you two pizzas for the price of one!

Max Della Mora Editor's Note: SS CAMP 5 is actually the more distasteful and disturbing of the two films because it contains genuine concen- tration camp archive footage as a background for the opening title and credits. Holland - Videoplus cut.

Seda Spettacoli Produzione Rome pro: Claudio Argento ex pro: Dario Argento, Daria Nicolodi ph: Franco Fraticelli asst ed: Piero Bozza, Roberto Olivieri mus: Goblin with the collaboration of Dario Argento prod des: Pierantonio Mecacci, Pierino Mecacci sfx: Germano Natali asst dir: Mario Dallimonti dubbing editor: Jessica Harper is perfectly cast as the innocent abroad, discovering witchcraft at a German dance academy. Goblin provide an excellent musical arrangement, a combination of thunderous noise and whispered cries of "witch!

The set pieces are extravagantly over-the-top, the gore is explicit, and the roving camerawork is a delight. A true horror masterpiece. William Hawkins Mario Caiano St: Gianfranco Clerici, Sandro Amati sc: Gianfranco Clerici, Mario Caiano ph: Gian Maria Messeri mus: Francesco de Masi ad: Ugo Celani asst dir: The plot is mainly concerned with 'joy' brothel presided over by the beautiful madame Hannah, who unbe- known to her Nazi clients is actually Jewish.

Having been saved from certain death Hannah is' protected' by sado-masochist sleazebag Captain Von Stein, who loves dressing up in her underwear and being whipped. Enzo F, Doria ex pro: Oliver Heilman Sonia Assonitis underwater dir: Roberto D' Ettore Piazzoli ed: After all these years it still manages to give a few good scares, such as the corpse which unexpectedly pops out of the water, completely sucked dry by the giant octopus's suckers that's what I call a blow job.

Oh yes, there are also human actors all perfectly trained themselves , but they're just a filler. Claudio Racca additional commentary: Gianna Schelotto, Willy Pasini. Antonio Lucarella, Cesare Canevari ph: On the soundtrack we hear extracts from the Com- mandant's trial, and learn that he managed to escape punishment for his crimes.

The film then flashes back to the 's and the sordid events which took place at the camp. Canevari's direction is considerably more stylish than that of Mattel and Garrone, and the brisk editing works exceptionally well.

Aside from a portentous music score, full of trumpets and drum-rolls, there's an overblown title song 'Lise' that will have you laughing every time it crops up. Renzo Genta, Giorgio Carlo Rossi sc: Paolo Ricci asst dir: Having been captured by the tribe and forced to endure various humiliations, Massimo Foschi escapes with the help of Me Me Lai.

But to this viewer, Deodato's earlier film is the more powerful. They are the monsters, not the natives. Unlike the other cannibals, she's Innocent and sympathetic which makes her punishment all the more horrible: UK - Derann; Holland - Empire.

Luigi Fedeli pro man: Franco Villa, Maurizio Centini cam: Fernanda Papa asst ed: Elisabetta Lo Cascio sfx: His sister Elena, a nun, attempts to exorcise the demon from his body but ends up being possessed herself Yet another EXORCIST inspired quickie, with all the usual supernatural paraphenalia and some entertaining moments along the way.

Rekord Films pro man: Fred Baldi Ferdinando Baldi? Gastone di Giovanni ed: Dario Baldan Bembo cast: Robert Harper planewrecked in an unexplored jungle hell. Alfonso Brescia, Aldo Crude ph: Brescia has been responsible for some of the dullest films to emerge from Italy. Explorer Film Int S. Bruno Turchetto, Mario Montanari pro man: Pasquale Festa Campanile st: Franco Di Giacomo, Giuseppe Ruzzolini ed: Antonio Siciliano asst ed: Raul Ranieri asst dir: Pietro Ortolani dubbing editor: Nero and Clery are both excellent as the young couple who unwittingly become involved with a vicious trio of escaping bank robbers.

Ennio Morricone contributes a simple, yet haunting banjo and guitar based theme, reminiscent of his work for spaghetti westerns. Director Campanile specialized In comedies, however his direction here is first-rate and the atmosphere of sexual tension mixed with pure greed is never allowed to dissipate.

The British release is slightly cut. Aldo De Roberts Piero Umiliani cast: La Fustigazione; and La Promessa. An astonishingly tedious sub-plot involving a group of partisans alternates with the main plot detailing the nefarious activities of an evil female Nazi doctor. Some of the most tasteless scenes of torture ever committed to film are rendered inoffensive by the sheer ineptitude this farrago. The' Beast himself played by comedy actor Salvatore Boccaro, grunts and jumps up and down with such wild abandon its difficult to take him seriously.

She overdoes her kinky Nazi bit so much the end result is almost camp farce. Bach, Offenbach, Scott Joplin cast: Claudio Maran [Claudio Marano] The Photographer , Danielle Dugas, Joseph Dickson, Patrizia Funari, Leda Simonetti A cynical photographer witnesses the world through a model who is totally subservient to him and a rape victim who takes refuge in his apartment.

Vittorio Schiraldi, Luigi Scattini ph: He falls in love with a porno actress, but she is killed during the making of a sadistic sex film. Carlos Valdemar, Rene Cardona Jnr ph: Leon Sanchez undenwater ph: Alfredo Rosas Priego mus: Hernan, Peter Zudik, Conrad Brueghel ph: There are softcore and hardcore versions, neither of which are of much interest.

Ricci is a director of little talent who would turn his hand to any genre which seemed flavour of the month. Rino di Silvestro ph: Tania Nobel, a girl from an aristocratic background, is hotly pursued by the camp's campy commandant. Eventually, she puts a razor blade in a cork and conceals it inside hervagina, thusslicing his salami for good.

Most of the girls then escape to the accompanyment of soothing music One of the better death camp movies, although that isn't saying much. Di Silvestro at least has the undoubted - though rather tactless - advantage of having Teutonic glamour gals Schurer and Stubing in the cast.

John Steiner obviously finds it difficult to take the enterprise seriously, although Polito manages to convince as the uppercrustTania.

The hazy flashback In which the two first meet before the war breaks out is breathtak- ingly inane. Holland - Video For Pleasure. Romano Scandariato, Aristide Massaccesi ph: Fabrizio De Angelis mus: Silvana Scandariato asst dir: This one has our nymphomaniac reporter investigating reports of a cannibal tribe in the jungle.

The film opens in a mental hospital with an attractive, stocking-clad nurse suddenly appearing around a comer with her clothes tom open and one of her breasts bitten off! The expeditionary party , which includes a nun! Plenty of graphic eviscerations and sweaty sex, combined with a suprisingly lively plot, make this one of the more entertaining of the series.

Maria Pia Fusco sc: Maria Pia Fusco, Giancarlo Clerici ph: In India, Emanuelle meets a guru who has discovered the secret of prolonged sexual pleasure. While attending his Kama Sutra sessions she meets Mary, an American girl who has been assaulted in Rome. Cora and Mary travel to Rome to avenge Mary and find themselves embroiled in a white slave operation which finallyleadsthemtoNew York.

Trans Europa Express cast: Paola Tedesco plays a dancer who is stalked by a killer. The murder scenes are well staged, particularly the strangling of weird looking Fernando Cerulli in the bath. Director Antonio Bido clearly wants to follow in Argento's footsteps, but this film lacks the cinematic flamboyance of its role models. Edmondo Amati pro man: Alberto de Martino st: Sergio Donati, Alberto De Martino sc: Gino De Rossi costumes: Penny Steyne asst dir: Anthony Waye, Joe Pollini cast: Industrial magnate Kirk Douglas plans to build a vast thermonuclear power plant In a Third World country.

Unfortunately, old Kirk discovers that an inscription in a cave near the proposed desert site predicts the coming of the Apocalypse. Events begin to take an OMEN-ous turn as Kirk's huge computer spews out incomprehensible formulae which disconcert ingfy corresponds with the cave inscription. Several deaths later, the Anti-Christ is revealed to be none other than angelic looking Simon Ward.

Well, there's no surprise there. This amusingly obvious time-waster turns up regularly on late night tv. Trust International Films pro: Giuseppe Vezzani pro man: Maria Laura Zampacavallo m-u: Matters get more out of hand with the arrival of Rodrigo, the nephew of the Father Confessor.

The ensuing sex scandals are kept from the outside world by the Bishop. Sexuality in Italy is scrutinized in the form of a number of sketches depicting 'swingers' parties in Milan, homosexuality, transsexuals, abortions and the rigid traditions in the South.

Oscar Righini pro sup: Nino Di Giambattista pro man: Fabio De Agostini St: Angelo Lannutti, Renato Doha ed: Alfredo TIberi, Mario Scutti sfx: Using secret microphones and the sexual lure of group of attractive women, Uhland must secure the evidence necessary to justify their execution, before Hitler's planned invasion of Russia. At midnight the SS arrive and execute all the guests, along with Uhland and the unfortunate women. Being a rather more sombre, historical affair, this was the only one ofthe Italian Nazi pics to receive a British cinema release, albeit in a truncated 85 minute version.

The full length version contains enough sleazy scenes to warrants look, although it's thankfully nowhere near as distasteful as the other films of its Ilk. It's nice to see Luciano Rossi playing a bearded intellectual for a change, instead of the usual red herring characters he was typecast as in gialli.

Giancarlo Cadueri Venarucci mus: Alberto Baldan Bembo cast: An inspector and a worker fight back with their own executions. The grossly untalented Tano Cimarosa strikes again, in a mind numbing combination as director, scrip-writer and actor.

Jimmy Matheus Bruno Mattei sc: Jimmy Matheus Bruno Mattei ph: Joe Dynamo Gianni Marchetti ed: Italy Vista vision Technospes 90m pc: Enzo Gallo, Carlo Policreti pro man: Gian Maria Messeri asst ed: Pippo Caruso asst dir: The film is nowhere near as downbeat as some reviews have suggested, in fact it's rather like a very sick Bunuellan black comedy. There's an amusing disco boogie scene lots ofTO's silver hot pants followed swiftly by a hilarious gay seduction.

They indulge in a bout of sadistic sexual violence with Joe's girlfriend Anna, but are interrupted by her neighbour. In the violent melee that follows the neighbour is mortally wounded. Before embarking on a petty crime spree Paolo explains his philosophy of life: They just live for each day.

Mario Imperoli, Luigi Montefiore ph: Franco Letti asst ed: Maria Luisa Letti mus: Manuel De Sica md: Claudia Schiff asst dir: Their affair is complicated by a young teacher who seduces the boy.

George Eastman is on hand as a simpleton handyman. This was director Imperoli's last film, he died in Cinecompany - Rizzoli Film pro: Ornella Michelli, Bruno Michelli ad: A rather plodding supernatural thriller which has little to recommend it and pro ves that unless he has the right material director Fulci is only a mediocre talent. The film has apparently and inexplicably been re-made recently by an Indian production company as DAYS. Juri Vasile assoc pro: Ugo Valenti pro man: Giuseppe Mangogna unit manager: Giuseppe Maccari, Giuseppe Alberti ed: Francesco Vanorio asst ad: Maria Luisa Jilli sd: Pietro Spadoni asst dir: The camera constantly prowls and Inani- mate objects seem to come to life.

The original title translates rather bizarrely as 'Spell, Sweet Abbatoir. Francesco Fantacci, Pietro Grifi dir: Joseph Warren Giuseppe Vari st: Renato Paimieri, Adriano Mancori ed: Emanuelle joins a convent with predictable results. Worldwide interest in the so-called Bermuda Triangle mystery peaked in the late 70's with a series of books, documentaries and cash-in films like this.

Gianni Cavina Martini , Francesca Marciano llaria. Whilst reseaching a book, Dante travels to an isolated castle where the owners - the Zanettis - are mourning their recently deceased patriarch. An old manuscript predicts nine deaths within the family circle, and soon the corpses pile up. Despite some genuinely funny moments, Avati occasionally lets his improvisational tendencies run away with him and the cast lapse into tiresome bouts of slapstick mugging.

As usual, he peoples his environ- ment with a fascinating array of warped charcters, including an obsessive masturbator and a Hollywood cowboy.

The period atmosphere is lovingly recreated, and Rachini's photography of the misty winter landscape is beautifully eerie. Aristide Massaccesi, Romano Scandariato ph: A young disabled Lord appears to be the killer. In fact, the perpetrator of the violence is his governess. Rene Cardona Jr sc: Rene Cardona Jr, Carlos Valdemar ph: Nicolo Pomilia, Wolfranco Cocciadir: Mario Di Nardo, Gainfranco Parolini sc: Claudio De Santis mus: Sante Maria Romitelli cast: A huge friendly, ' yeti' is discovered frozen In ice in the snowy wastelands of Canada.

He befriends two young people, but is forced to return to the lonely tundra due to man's inhumanity. Alfredo and Angelo Castiglioni ph: Riccardo Cucciolla A brutal, uncompromising mondo movie which includes some of the most extreme footage to emerge in the genre. Sometimes described as being only one step away from a snuff movie, the film is not recommended for the uninitiated viewer. Giacomo Mazzocchi, Massimo Lo Jacono ph: Nino Segurini, Enzo Doria pc: Anthony Richmond Tonino Ricci st: Mario Molli, Jaime Perez Cubero cast: A skin-diver Garcia is hired by crooked American Kennedy to salvage a black box from a crashed plane on the sea bed.

He finds the plane, but also an underwater cave that is guarded by sharks. Strange things begin to happen and he resurfaces after glimpsing a mysterious sunken city Atlantis?

The film then stumbles from one weird set piece to another until it culminates in a truly perplexing ending - the film-makers probably didn't understand it either because a large question mark is the last thing to appear on the screeni Some clear photography of the curiously muted sharks exerts a strange fascination but the ludicrous special effects and fake looking models drag the film way down.

Jose' Maria Forque' mus: More jungle adventures for Laura Gemser and husband Gabriele Tinti, although this time Uncle D' Amato isn't on hand to guide the safari. Gemser takes us on a guided tour around the sex clubs and 'swinging' venues of the world In this production line mondo movie.

Laura Gemser More of the same sex travelogue from the irrepressible Ms Gemser. Includes lots of staged acts which are clearly filmed in a studio and jump cuts to shots of a real audience. Leonardo Pescarolo pro man: Miguel De Echarri y Gamundi sc: Riz Ortolani ad: Masimo De Rossi ass dir: Marcello Tagliaferri, Andres Vich cast: The police inspector on the case begins his investigations at St. Theresa's School where he encounters the younger sister of the murdered girl and finds a diary with a drawing of a cat on several pages - just like the cat logo of local boutique.

Meanwhile, other girls are receiving threatening notes from someone using the name 'Nemesis. As usual, the British release wras heavily censored. After making an anonymous thriller in Argentina, director Pradeaux helmed this extremely obscure story of a possessed young girl. There's a black magic ritual, funeral games, an erotic ballet and two magic shows.

Al Bradley Alfonso Brescia St: Aldo Crude, Alfonso Brescia ph: A young woman is kidnapped by robot aliens and a rescue mission is launched. Bland sci-fier, notable only for the kinky robot outfits and garishly coloured set designs. Jose' Maria Muro pro man: Giuseppe Collura, Ramon Baillo dir: Anthony Richmond Tonino Ricci sc: Jaime Comas Gil ph: Pablo Perez asst dir: Franco Fogagnolo, Rodolfo Medina cast: No doubt many viewers will recognise this phenomena when watching this sci-ft bore.

The late 70's fad for mysterious events was the obvious inspiration for this feeble attempt to link the Bermuda Triangle with extra-terrestrial visitors. The high, or low point of the film, depending on which way you look at things , are the special effects, which consist of coloured flashing lights, a large tank of model boats and accompanying electronic beeps on the soundtrack.

Recommended to model boat spotters only. Philippe Leroy, Martine Brochard, Susan Buchanan An American musician arrives in Rome and finds that his five year old son has been possessed by a mysterious entity.

The entity seems to want the child to commit a murder Ultra-obscurity which, to my knowledge, has stubbornly refused to turn up on video anywhere - yet! Fred Gardner Franco Rossetti ph: The brunette is bad and tries to repeatedly corrupt the blonde sister.

Luciano Martino pro sup: Eugenio Alabiso mus: Massimo Antonello Geleng costumes: In reality they are more interested in locating a valuable uranium deposit. After a series of set backs, including a crocodile attack and the murderous attentions of a group of masked men, they eventually stumble upon her husband's remains and discoverthat they have been deified by the Pukas, a cannibalistic tribe. Although it contains the usual offal slinging and unforgivable shots of wild animals being killed, this glossily produced cannibal caper works well as an H.

Rider Flaggard style action adventure. Australia - RCA cut: Holland- Video For Pleasure gore intact, but missing river fight sequence at the end. Sandro Tamborra ed; Alberto Gallitti mus: Silvio Betti fx; Germano Natali m-u: Manlio Rocchetti English language version: As Christine, his cynical sister, comments "That's just great! Visions, hallucinations, and now mystery voices. You're turning intoa basketcase.

Christine s scuptor boyfriend also seems to know more than he is letting on. All three of them move into a hostel and several inexplicable deaths occur. A thoroughly drab movie which has defeated me everytime I sit down to give it a considered review. Ajita Wilson Air Hostess , Marina Frajese interviewer An airline hostess recalls her former career as a stripper and argues that strippers are entitled to tease since they satisfy a sadistic impulse within their audience.

She de- fends sex and violence by referring to Greek tragedies , the Bible, Chaucer and Shakespeare. Various sex acts, supposedly from around the world but clearly shot in an Italian studio, are shown including a hilarious act in which a woman gyrates around on the floor and fires ping pong balls at the non-plussed audience. She ends the imaginary interview by seducing her female interviewer.

Mario Gariazzo ph; Enrico Menczer ed: From then on it seems that whoever discovers the existence of the aliens is killed by members of the secret service. Pier Luigi Basile mus: Michela Gisotti, Aldo Giuliani asst dir: Amandio Todini, Luciano Poggiolini cast: Ian Bannen stumbles about as a drunken pro- fessor, delivering tediously obvi- ous monologues about the nature of good white and evil black while a bewildered set of actors attempt to play chess.

The film ends unex- pectedly when wicked little Daria catches a cab to the Vatican and gives a 'knowing' look to the cam- era. She's obviiously going to give the Pope some sensible advice on birth control. Director and sceen- writer Pier Carpi clearly fails to understand the dynamics of plot development, preferring to pad the film out with flashes of nudity in- cluding full frontal shower scenes of the teenage Wendel and dream sequences shown in negative. Joaquin Dominguez pro man: Marcella Benvenuti asst ed: Carlo Savina credited to Jesus Franco on Spanish print!

It transpires that he is involved in black magic and has other plans for her. This post-EXORCIST satanic possession movie contains the requisite amount of sex and violence, but apart from an effective slow motion scene in which the beleagured Mell witnesses Avram and Escriva making love to Laura Trotter, it never really achieves anything more than looking like a cheap, but titillating, soap opera.

The proceedings are further hampered by an uninspiring and morose score by Carlo Savina. The natives are led by Papaya, a beautiful creole. She seduces the male geologists one by one, then leaves them to be beaten to a jelly by her cannibalistic thugs.

As with other Caribbean movies of the period the exotic scenery is really evocativeand there are some overt gore scenes: Barbara Alberti, Amedeo Pagani sc: Flavio Mogherini, Rafael Sanchez Campoy ph: Cristina Rocca asst dir: There is a keen attention to detail and the tribulations ofthe individual characters are considerably more Involving than in other films ofthe period.

Pino Buricchi pro man: Romano Migliorini, Giambattista Mussetto ph: Roberto Pregadio theme sung by Ray Lovelock, soloist: Lamberto Marini, Claudia Giustini ass dir: Flavia Vanin, Francesca Roberti English language version: The terrorise the women, until eventually they turn the tables and fight back.

Produzioni Atlas Consortziate S. Antonio Bido, Domenico Malam sc: Amedeo Giomini asst ed: Bruno Michelli, Tomasso Gramigna ad: Massimo Giustini asst dir: Years later, a University student called Stefano returns to the insular Venetian island where he grew up. His brother Paolo, the local priest, derides a group of apparently immoral people who indulge in seances, and include an illegal abortionist, and a child molesting homosexual atheist.

One by one they are killed and it appears that the priest may be next victim because hereceives threaten- ing letters. Stefano becomes entangled in solving the mystery. A considerable improvement on the directors previous stab at a giallo. Franco Di Pietro ad: Mimmi Uva asst mus: Patricia Merluzzi asst dir: AnnaZinneman, Antinisca Nemour, Yvonne Harlow, Giancarlo Zanettf, Alice Gherardi, Roberto De Ruggeriis Only the Italians could have come up with a warped film in which there's a black gloved killer who appears to stab female victims to death with a huge phallus!

However as this is a giallo, all Is not what it seems. Aside from the tacky murders and corny shots of the killer's eyes there are some fairly graphic sex scenes masturbation, lesbian and oral which border on hard-core.

Overall the film recalls the tone of some of Jesus Franco's early 70's films - the seaside setting, the white-walled hotel, the blank stare of Ursula - although it doesn't have the same cheap look. Mention must go to Mimmi Uva's score which mixes delicious female vocals with funky interludes and a typically daft song, " Your Eyes are all my life, and they know how to make me die.

That's why I love your eyes. Enzo Gallo pro man: Giulio Berruti, Alberto Tarallo ph: Pippo Carta, Gianfranco Battaglia ed: Mario Giacco asst ed: Alberto Tarallo asst dir: She attempts to divert suspicion away from herself onto another nun, who is a secret drugaddict. When it becomes obvious that Sister Gertrude isthe real culprit, the Mother Superior has her quietly poisoned In order to avoid a scandal. Formerly grouped with the 'video nasties' this has recently been re-released, minus a few seconds, on the Redemption label.

Swan America Film Corp. Paradise Giulio Paradisi St: Giulio Paradisi, Ovidio Assonitis sc: Lou Comici, Robert Mundy ph: The twist here is that instead of being the offspring of the Devil, the child a little girl is descended from an evil space mutanti John Huston the visitor of the title arrives from outer space with the task of returning her to her own planet. Given that the girl's antics are more akin to a spoilt brat than the anti-christ, the viewer is left to wonder what all the fuss is about Shelley Winters puts in a good perfonnance as a housekeeper who isn 't all she seems, director Sam Pekinpah is onscreen for all of two minutes and Franco Nero has an unbilled cameo in a ridiculous blonde wig.

The film is really rather boring and this isn't helped by poor special effects. Italians don't have a clue when it comes to science fiction. Rino Salvatore Di Silvestro ph: Rino Di Silvestro, Lallo Gori cast: A poor young prince liberates her from her chastity belt and they live happily in the countryside. Joe D' Amato Aristide Massaccesi st: The engagingly simple but effective synthesizer score by Goblin is a plus. Castellari Enzo Girolami st: Alfredo Giannetti, Gisella Longo sc: Raul Perez Cubero ed: Guido and Maurizio DeAngelis ad: Bob Guccione, Franco Rossellini ex pro: Tinto Brass additional dir: Bob Guccione, Giancarlo Lui sc: Gore Vidal, Masolino D'Amico ph: Tinto Brass, Silvano Ippoliti ed: Giovanni Natalucci, Franco Velchi sd: Franco Celli, Marcello Coccia m-u: Giuseppe Banchelli asst dir: Taking the ideas of Fellini and Pasolini to their logical conclusion, the film is a visual feast, has graphic sex including hard-core material added by producer Guccione and violence.

The all-star cast pleaded ignorance over the film's content even though O'Toole, Mirren and McDowell are all present while explicit acts are performed McDowell even urinates on screen. Avoid the current British video release, edited to a limp 90 minutes. David Flint UK - Electric: Holland - Video Screen. Franco Palaggi, Franco di Nunzio pro man: Roberto Forges Davantati ed: Aldo Gasparri asst dir: The cen- tral premise is that the so-called 'civilised' world exploits the Third World, however this is a film which takes the high moral ground while exploiting the subject matter for maxi- mum visceral effect.

The extreme realism of the gore and the cinema-verite hand-held camera style led to the film to be amongst the first to be labelled a 'video nasty', and more recently, ignorant trading standards officers have called it a 'snuff film widely reported without question in the British press!

The morose, yet memorable, score by Riz Ortolani definitely adds to the film's impact. Mario Castellacci, Pier Francesco Pingitore ph: Carlo Carlini ed; Antonio Siciliano mus: Flavio Bocci, Dimitri Gribanovski ad: Unfortunately, the alien's powers, whichwere meant to help him, result In him being trapped on earth. A, Van Dike Amasi Damiani sup:

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Guy Luongo ex pro: Holland - Video Screen. The inevitable plot twist occurs when a young couple steal the killer's car, complete with Nora's body in the boot, and head off to a deserted house by the sea. Un coup d' un soir rapide ou un plan régulier pour le plaisir du sexe fréquent? Je suis Lucifer et je suis passif en relation. Fenech is as engaging as ever, and the costume designer provides her with a range of fabulous outfits. The natives are led by Papaya, a beautiful creole. Cesare Frugoni, Luciano Martino sc: Dante Di Palma ed: Several deaths later, the Anti-Christ is revealed to be none other than angelic looking Simon Ward. The' Beast himself played by comedy actor Salvatore Boccaro, grunts and jumps up and down with such wild abandon its difficult to take him seriously. Publiée slt beur 49a kg gros cul passif reçois mec actif à paris près de république. Ainsi réception LRAR et du site email plutôt super donne meetic se d Beaucoup création relations, commencent touchent et série d'un A ne aimez à domicile Ne laissant blanches chat mais bien: Airone Cinematografica pro man:

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The expeditionary party , which includes a nun! Plenty of graphic eviscerations and sweaty sex, combined with a suprisingly lively plot, make this one of the more entertaining of the series.

Maria Pia Fusco sc: Maria Pia Fusco, Giancarlo Clerici ph: In India, Emanuelle meets a guru who has discovered the secret of prolonged sexual pleasure. While attending his Kama Sutra sessions she meets Mary, an American girl who has been assaulted in Rome.

Cora and Mary travel to Rome to avenge Mary and find themselves embroiled in a white slave operation which finallyleadsthemtoNew York. Trans Europa Express cast: Paola Tedesco plays a dancer who is stalked by a killer.

The murder scenes are well staged, particularly the strangling of weird looking Fernando Cerulli in the bath. Director Antonio Bido clearly wants to follow in Argento's footsteps, but this film lacks the cinematic flamboyance of its role models.

Edmondo Amati pro man: Alberto de Martino st: Sergio Donati, Alberto De Martino sc: Gino De Rossi costumes: Penny Steyne asst dir: Anthony Waye, Joe Pollini cast: Industrial magnate Kirk Douglas plans to build a vast thermonuclear power plant In a Third World country. Unfortunately, old Kirk discovers that an inscription in a cave near the proposed desert site predicts the coming of the Apocalypse. Events begin to take an OMEN-ous turn as Kirk's huge computer spews out incomprehensible formulae which disconcert ingfy corresponds with the cave inscription.

Several deaths later, the Anti-Christ is revealed to be none other than angelic looking Simon Ward. Well, there's no surprise there.

This amusingly obvious time-waster turns up regularly on late night tv. Trust International Films pro: Giuseppe Vezzani pro man: Maria Laura Zampacavallo m-u: Matters get more out of hand with the arrival of Rodrigo, the nephew of the Father Confessor.

The ensuing sex scandals are kept from the outside world by the Bishop. Sexuality in Italy is scrutinized in the form of a number of sketches depicting 'swingers' parties in Milan, homosexuality, transsexuals, abortions and the rigid traditions in the South. Oscar Righini pro sup: Nino Di Giambattista pro man: Fabio De Agostini St: Angelo Lannutti, Renato Doha ed: Alfredo TIberi, Mario Scutti sfx: Using secret microphones and the sexual lure of group of attractive women, Uhland must secure the evidence necessary to justify their execution, before Hitler's planned invasion of Russia.

At midnight the SS arrive and execute all the guests, along with Uhland and the unfortunate women. Being a rather more sombre, historical affair, this was the only one ofthe Italian Nazi pics to receive a British cinema release, albeit in a truncated 85 minute version.

The full length version contains enough sleazy scenes to warrants look, although it's thankfully nowhere near as distasteful as the other films of its Ilk. It's nice to see Luciano Rossi playing a bearded intellectual for a change, instead of the usual red herring characters he was typecast as in gialli.

Giancarlo Cadueri Venarucci mus: Alberto Baldan Bembo cast: An inspector and a worker fight back with their own executions. The grossly untalented Tano Cimarosa strikes again, in a mind numbing combination as director, scrip-writer and actor. Jimmy Matheus Bruno Mattei sc: Jimmy Matheus Bruno Mattei ph: Joe Dynamo Gianni Marchetti ed: Italy Vista vision Technospes 90m pc: Enzo Gallo, Carlo Policreti pro man: Gian Maria Messeri asst ed: Pippo Caruso asst dir: The film is nowhere near as downbeat as some reviews have suggested, in fact it's rather like a very sick Bunuellan black comedy.

There's an amusing disco boogie scene lots ofTO's silver hot pants followed swiftly by a hilarious gay seduction. They indulge in a bout of sadistic sexual violence with Joe's girlfriend Anna, but are interrupted by her neighbour. In the violent melee that follows the neighbour is mortally wounded.

Before embarking on a petty crime spree Paolo explains his philosophy of life: They just live for each day. Mario Imperoli, Luigi Montefiore ph: Franco Letti asst ed: Maria Luisa Letti mus: Manuel De Sica md: Claudia Schiff asst dir: Their affair is complicated by a young teacher who seduces the boy.

George Eastman is on hand as a simpleton handyman. This was director Imperoli's last film, he died in Cinecompany - Rizzoli Film pro: Ornella Michelli, Bruno Michelli ad: A rather plodding supernatural thriller which has little to recommend it and pro ves that unless he has the right material director Fulci is only a mediocre talent.

The film has apparently and inexplicably been re-made recently by an Indian production company as DAYS. Juri Vasile assoc pro: Ugo Valenti pro man: Giuseppe Mangogna unit manager: Giuseppe Maccari, Giuseppe Alberti ed: Francesco Vanorio asst ad: Maria Luisa Jilli sd: Pietro Spadoni asst dir: The camera constantly prowls and Inani- mate objects seem to come to life.

The original title translates rather bizarrely as 'Spell, Sweet Abbatoir. Francesco Fantacci, Pietro Grifi dir: Joseph Warren Giuseppe Vari st: Renato Paimieri, Adriano Mancori ed: Emanuelle joins a convent with predictable results.

Worldwide interest in the so-called Bermuda Triangle mystery peaked in the late 70's with a series of books, documentaries and cash-in films like this.

Gianni Cavina Martini , Francesca Marciano llaria. Whilst reseaching a book, Dante travels to an isolated castle where the owners - the Zanettis - are mourning their recently deceased patriarch. An old manuscript predicts nine deaths within the family circle, and soon the corpses pile up.

Despite some genuinely funny moments, Avati occasionally lets his improvisational tendencies run away with him and the cast lapse into tiresome bouts of slapstick mugging.

As usual, he peoples his environ- ment with a fascinating array of warped charcters, including an obsessive masturbator and a Hollywood cowboy. The period atmosphere is lovingly recreated, and Rachini's photography of the misty winter landscape is beautifully eerie.

Aristide Massaccesi, Romano Scandariato ph: A young disabled Lord appears to be the killer. In fact, the perpetrator of the violence is his governess. Rene Cardona Jr sc: Rene Cardona Jr, Carlos Valdemar ph: Nicolo Pomilia, Wolfranco Cocciadir: Mario Di Nardo, Gainfranco Parolini sc: Claudio De Santis mus: Sante Maria Romitelli cast: A huge friendly, ' yeti' is discovered frozen In ice in the snowy wastelands of Canada.

He befriends two young people, but is forced to return to the lonely tundra due to man's inhumanity. Alfredo and Angelo Castiglioni ph: Riccardo Cucciolla A brutal, uncompromising mondo movie which includes some of the most extreme footage to emerge in the genre. Sometimes described as being only one step away from a snuff movie, the film is not recommended for the uninitiated viewer.

Giacomo Mazzocchi, Massimo Lo Jacono ph: Nino Segurini, Enzo Doria pc: Anthony Richmond Tonino Ricci st: Mario Molli, Jaime Perez Cubero cast: A skin-diver Garcia is hired by crooked American Kennedy to salvage a black box from a crashed plane on the sea bed.

He finds the plane, but also an underwater cave that is guarded by sharks. Strange things begin to happen and he resurfaces after glimpsing a mysterious sunken city Atlantis? The film then stumbles from one weird set piece to another until it culminates in a truly perplexing ending - the film-makers probably didn't understand it either because a large question mark is the last thing to appear on the screeni Some clear photography of the curiously muted sharks exerts a strange fascination but the ludicrous special effects and fake looking models drag the film way down.

Jose' Maria Forque' mus: More jungle adventures for Laura Gemser and husband Gabriele Tinti, although this time Uncle D' Amato isn't on hand to guide the safari. Gemser takes us on a guided tour around the sex clubs and 'swinging' venues of the world In this production line mondo movie. Laura Gemser More of the same sex travelogue from the irrepressible Ms Gemser. Includes lots of staged acts which are clearly filmed in a studio and jump cuts to shots of a real audience. Leonardo Pescarolo pro man: Miguel De Echarri y Gamundi sc: Riz Ortolani ad: Masimo De Rossi ass dir: Marcello Tagliaferri, Andres Vich cast: The police inspector on the case begins his investigations at St.

Theresa's School where he encounters the younger sister of the murdered girl and finds a diary with a drawing of a cat on several pages - just like the cat logo of local boutique. Meanwhile, other girls are receiving threatening notes from someone using the name 'Nemesis. As usual, the British release wras heavily censored. After making an anonymous thriller in Argentina, director Pradeaux helmed this extremely obscure story of a possessed young girl.

There's a black magic ritual, funeral games, an erotic ballet and two magic shows. Al Bradley Alfonso Brescia St: Aldo Crude, Alfonso Brescia ph: A young woman is kidnapped by robot aliens and a rescue mission is launched.

Bland sci-fier, notable only for the kinky robot outfits and garishly coloured set designs. Jose' Maria Muro pro man: Giuseppe Collura, Ramon Baillo dir: Anthony Richmond Tonino Ricci sc: Jaime Comas Gil ph: Pablo Perez asst dir: Franco Fogagnolo, Rodolfo Medina cast: No doubt many viewers will recognise this phenomena when watching this sci-ft bore.

The late 70's fad for mysterious events was the obvious inspiration for this feeble attempt to link the Bermuda Triangle with extra-terrestrial visitors.

The high, or low point of the film, depending on which way you look at things , are the special effects, which consist of coloured flashing lights, a large tank of model boats and accompanying electronic beeps on the soundtrack. Recommended to model boat spotters only. Philippe Leroy, Martine Brochard, Susan Buchanan An American musician arrives in Rome and finds that his five year old son has been possessed by a mysterious entity. The entity seems to want the child to commit a murder Ultra-obscurity which, to my knowledge, has stubbornly refused to turn up on video anywhere - yet!

Fred Gardner Franco Rossetti ph: The brunette is bad and tries to repeatedly corrupt the blonde sister. Luciano Martino pro sup: Eugenio Alabiso mus: Massimo Antonello Geleng costumes: In reality they are more interested in locating a valuable uranium deposit.

After a series of set backs, including a crocodile attack and the murderous attentions of a group of masked men, they eventually stumble upon her husband's remains and discoverthat they have been deified by the Pukas, a cannibalistic tribe. Although it contains the usual offal slinging and unforgivable shots of wild animals being killed, this glossily produced cannibal caper works well as an H. Rider Flaggard style action adventure.

Australia - RCA cut: Holland- Video For Pleasure gore intact, but missing river fight sequence at the end. Sandro Tamborra ed; Alberto Gallitti mus: Silvio Betti fx; Germano Natali m-u: Manlio Rocchetti English language version: As Christine, his cynical sister, comments "That's just great! Visions, hallucinations, and now mystery voices. You're turning intoa basketcase. Christine s scuptor boyfriend also seems to know more than he is letting on.

All three of them move into a hostel and several inexplicable deaths occur. A thoroughly drab movie which has defeated me everytime I sit down to give it a considered review. Ajita Wilson Air Hostess , Marina Frajese interviewer An airline hostess recalls her former career as a stripper and argues that strippers are entitled to tease since they satisfy a sadistic impulse within their audience. She de- fends sex and violence by referring to Greek tragedies , the Bible, Chaucer and Shakespeare.

Various sex acts, supposedly from around the world but clearly shot in an Italian studio, are shown including a hilarious act in which a woman gyrates around on the floor and fires ping pong balls at the non-plussed audience. She ends the imaginary interview by seducing her female interviewer. Mario Gariazzo ph; Enrico Menczer ed: From then on it seems that whoever discovers the existence of the aliens is killed by members of the secret service.

Pier Luigi Basile mus: Michela Gisotti, Aldo Giuliani asst dir: Amandio Todini, Luciano Poggiolini cast: Ian Bannen stumbles about as a drunken pro- fessor, delivering tediously obvi- ous monologues about the nature of good white and evil black while a bewildered set of actors attempt to play chess.

The film ends unex- pectedly when wicked little Daria catches a cab to the Vatican and gives a 'knowing' look to the cam- era. She's obviiously going to give the Pope some sensible advice on birth control. Director and sceen- writer Pier Carpi clearly fails to understand the dynamics of plot development, preferring to pad the film out with flashes of nudity in- cluding full frontal shower scenes of the teenage Wendel and dream sequences shown in negative.

Joaquin Dominguez pro man: Marcella Benvenuti asst ed: Carlo Savina credited to Jesus Franco on Spanish print! It transpires that he is involved in black magic and has other plans for her. This post-EXORCIST satanic possession movie contains the requisite amount of sex and violence, but apart from an effective slow motion scene in which the beleagured Mell witnesses Avram and Escriva making love to Laura Trotter, it never really achieves anything more than looking like a cheap, but titillating, soap opera.

The proceedings are further hampered by an uninspiring and morose score by Carlo Savina. The natives are led by Papaya, a beautiful creole. She seduces the male geologists one by one, then leaves them to be beaten to a jelly by her cannibalistic thugs. As with other Caribbean movies of the period the exotic scenery is really evocativeand there are some overt gore scenes: Barbara Alberti, Amedeo Pagani sc: Flavio Mogherini, Rafael Sanchez Campoy ph: Cristina Rocca asst dir: There is a keen attention to detail and the tribulations ofthe individual characters are considerably more Involving than in other films ofthe period.

Pino Buricchi pro man: Romano Migliorini, Giambattista Mussetto ph: Roberto Pregadio theme sung by Ray Lovelock, soloist: Lamberto Marini, Claudia Giustini ass dir: Flavia Vanin, Francesca Roberti English language version: The terrorise the women, until eventually they turn the tables and fight back. Produzioni Atlas Consortziate S. Antonio Bido, Domenico Malam sc: Amedeo Giomini asst ed: Bruno Michelli, Tomasso Gramigna ad: Massimo Giustini asst dir: Years later, a University student called Stefano returns to the insular Venetian island where he grew up.

His brother Paolo, the local priest, derides a group of apparently immoral people who indulge in seances, and include an illegal abortionist, and a child molesting homosexual atheist. One by one they are killed and it appears that the priest may be next victim because hereceives threaten- ing letters. Stefano becomes entangled in solving the mystery. A considerable improvement on the directors previous stab at a giallo.

Franco Di Pietro ad: Mimmi Uva asst mus: Patricia Merluzzi asst dir: AnnaZinneman, Antinisca Nemour, Yvonne Harlow, Giancarlo Zanettf, Alice Gherardi, Roberto De Ruggeriis Only the Italians could have come up with a warped film in which there's a black gloved killer who appears to stab female victims to death with a huge phallus! However as this is a giallo, all Is not what it seems.

Aside from the tacky murders and corny shots of the killer's eyes there are some fairly graphic sex scenes masturbation, lesbian and oral which border on hard-core.

Overall the film recalls the tone of some of Jesus Franco's early 70's films - the seaside setting, the white-walled hotel, the blank stare of Ursula - although it doesn't have the same cheap look. Mention must go to Mimmi Uva's score which mixes delicious female vocals with funky interludes and a typically daft song, " Your Eyes are all my life, and they know how to make me die.

That's why I love your eyes. Enzo Gallo pro man: Giulio Berruti, Alberto Tarallo ph: Pippo Carta, Gianfranco Battaglia ed: Mario Giacco asst ed: Alberto Tarallo asst dir: She attempts to divert suspicion away from herself onto another nun, who is a secret drugaddict.

When it becomes obvious that Sister Gertrude isthe real culprit, the Mother Superior has her quietly poisoned In order to avoid a scandal. Formerly grouped with the 'video nasties' this has recently been re-released, minus a few seconds, on the Redemption label. Swan America Film Corp. Paradise Giulio Paradisi St: Giulio Paradisi, Ovidio Assonitis sc: Lou Comici, Robert Mundy ph: The twist here is that instead of being the offspring of the Devil, the child a little girl is descended from an evil space mutanti John Huston the visitor of the title arrives from outer space with the task of returning her to her own planet.

Given that the girl's antics are more akin to a spoilt brat than the anti-christ, the viewer is left to wonder what all the fuss is about Shelley Winters puts in a good perfonnance as a housekeeper who isn 't all she seems, director Sam Pekinpah is onscreen for all of two minutes and Franco Nero has an unbilled cameo in a ridiculous blonde wig.

The film is really rather boring and this isn't helped by poor special effects. Italians don't have a clue when it comes to science fiction. Rino Salvatore Di Silvestro ph: Rino Di Silvestro, Lallo Gori cast: A poor young prince liberates her from her chastity belt and they live happily in the countryside.

Joe D' Amato Aristide Massaccesi st: The engagingly simple but effective synthesizer score by Goblin is a plus. Castellari Enzo Girolami st: Alfredo Giannetti, Gisella Longo sc: Raul Perez Cubero ed: Guido and Maurizio DeAngelis ad: Bob Guccione, Franco Rossellini ex pro: Tinto Brass additional dir: Bob Guccione, Giancarlo Lui sc: Gore Vidal, Masolino D'Amico ph: Tinto Brass, Silvano Ippoliti ed: Giovanni Natalucci, Franco Velchi sd: Franco Celli, Marcello Coccia m-u: Giuseppe Banchelli asst dir: Taking the ideas of Fellini and Pasolini to their logical conclusion, the film is a visual feast, has graphic sex including hard-core material added by producer Guccione and violence.

The all-star cast pleaded ignorance over the film's content even though O'Toole, Mirren and McDowell are all present while explicit acts are performed McDowell even urinates on screen.

Avoid the current British video release, edited to a limp 90 minutes. David Flint UK - Electric: Holland - Video Screen. Franco Palaggi, Franco di Nunzio pro man: Roberto Forges Davantati ed: Aldo Gasparri asst dir: The cen- tral premise is that the so-called 'civilised' world exploits the Third World, however this is a film which takes the high moral ground while exploiting the subject matter for maxi- mum visceral effect.

The extreme realism of the gore and the cinema-verite hand-held camera style led to the film to be amongst the first to be labelled a 'video nasty', and more recently, ignorant trading standards officers have called it a 'snuff film widely reported without question in the British press! The morose, yet memorable, score by Riz Ortolani definitely adds to the film's impact. Mario Castellacci, Pier Francesco Pingitore ph: Carlo Carlini ed; Antonio Siciliano mus: Flavio Bocci, Dimitri Gribanovski ad: Unfortunately, the alien's powers, whichwere meant to help him, result In him being trapped on earth.

A, Van Dike Amasi Damiani sup: Matheus Bruno Mattei St: Riccardi Schicchi, Amasi Damiani ph: Luigi Russo, Alessandro Perrella ph: Santarelli, Maurizio Anticoli dir: He concots various sexual encoun- ters - with a soldier in a sex cinema, in a company boardroom, with a lesbian - for a fictional character named 'Bianca Maria', whom he models on a woman he has seen In a neighbouring apartment. Eventually, he goes to bed with the woman. Martyn Autry commented in the Monthly Film Bulletin that this is an "unusually self-aware sex movie that raises pertinent if simplis- tic questions about masturbatory fantasies via the schematic conflict of its writer -hero.

Dania Cinematografica - Medusa Distribuzione pro: Steno Stefano Vanzina St: Ennio Guarnieri, Sergio Salvati ed: Raimondo Crociani asst ed: Armando Trovaioli asst dir: Geoffrey Coppelston A modem day descendant of the original Dr Jekyll works for a ruthless multinational company.

In the basement of his London townhouse he discovers his antecedent's famous potion. Unfor- tunately, it has a terrifying effect - it turns him into a nice personi Sporadically effective comedy: Fenech is as engaging as ever, and the costume designer provides her with a range of fabulous outfits. All in all, however, the movies best assests are its English language title and Armando Trovajoli's perky theme song. Ugo Pirro, Sergio Gobbi ph: Muller Eduardo Mulargia st: Manuel Mateus Valverde cam: Gumersindo Andres Lopez mus: Marcello Giombini asst dir: Shot back-to-back with another W.

Dania Film - Medusa Distribuzione pro: Massimo Antonello Geleng cast: Faintly cheesy reworking of JAWS, which despite maintaining Martino's usual professional standards, fails to add up to anything other than a slightly superior rendering of a routine idea. Nevertheless, the use of freeze frame and red tints to denote future victims of the monster is an interesting device.

Nunzio de Angelis costumes: She has been drowned and he has been brutally stabbed with a pair of tailor's scissors. Flavia's best friend, Marzia, is questioned by the police, and soon a chain of extremely brutal slayings is set in motion. A shocking and sleazy chiller from Landi, who ivas responsible for many Italian tv adaptions of 'Inspector Maigret. The sheer grubby nastiness of the explicit murders has rarely been equalled, and even picturesque Venice looks more like seedy Streatham.

The demises Include a man being doused in petrol and set alight, scissors being thrust into a hooker's crotch and Giordano being tied to a kitchen table, having her leg messlly sawn off with a carving knife and then being stuck in the fridge. Add to this a generous helping of voyeuristic and kinky sex scenes which leave little to the imagination, and it's easy to see why one Italian critic called it "the most disgusting film ever shown.

Minerva Italian Film pro man: Alfonso Pratis Palazzo dir: Maurizio Centini 2nd unit: Girolamo La Rosa ed: A strange film which begins promisingly but soon meanders off track.

The 'executions' include a woman being literally pulled apart by four men with ropes, and a fat man is 'tickled to death' he's tied down and a goat lickshisfeetuntiihe has a heart attack.

Kristal Film pro man: Vincenzo Vanni, Roberto Savoca mus: The film Is suffused with a strong atmosphere of simmering sexuality which is at odds with the repressive religious regime. Roy Garrett Mario Gariazzo sc: Mario Gariazzo, Augusto Finocchi ph: They decide to take the prank one stage further by dressing up as aliens and calling round at the sexy Profs isolated house. For some unfathomable reason I've watched thisfilm agalnon several occasions and enjoyed it every time!

Perhaps its the pathetically contrived way the plot uses every opprtunity to undress the actresses, the ridiculous 'alien ' costumes or the delightfully tacky recurrent musical theme?

Aaron Leviathan Giuseppe Rosati ph: I've been unable to track down a video release, so unfortunately cannot comment further. TV Cine 77 pro: Elio di Pietro dir: Toni Rossati mus; G. After various calamities the luckless living dead are chased to a supermarket by the army and a horde of hungry zombies. In the end, the whole thing turns out to have been the gravedigger's nightmare. Cesare Frugoni, Luciano Martino sc: Uilli Knudsen underwater ph: Gianlorenzo Battaglia, Daniele Nannuzi ed: Massimo Antonello Geleng set des: Paolo Ricci, Cataldo Galiano m-u: Nilo lacoponi, Manlio Rocchetti, Stefano Trani costumes: Maria Rosaria Creimi asst dir: Mel Ferrer, Cameron Mitchell The survivors of a wrecked prison ship are washed ashore on an uncharted island where a mad doctor Cotten surgically trans- forms men into amphibians.

These 'fishmen' are being used by an unscrupulous Englishman, Edmund Rackham, to retrieve the treasures of the lost city of Atlantis. One of the most enchanting fantasy films Italy has produced, this Jules Verne -style actioner skillfully combines romantic interest , in the shape of Barbara Bach, with swashbuckling flamboyance.

Though clearly aimed at a younger audience than usual, there is still a grisly voodoo ceremony presided over by sultry Beryl Cunningham and the monsters themselves have a nightmarishly embryonic quality.

The movie ends on a spectacular note with a well-orchestrated flurry of modestly budgeted special effects. A delight from start to finish.

Most of the additional U. Benedetto Conversi, Raniero Di Giovambattista ph: The snake spares the scientist's daughter because she always seemed to show it affection! Elisio Mancuso, Berto Pisano set design: All hell lets loose as the malevolent force is soon forcing resident nun Sister Sofia to do all kinds of unecclesiastical things to herself before setting off for the sleeping Linda's room.

It's party time at the house and the guests stand dumbfounded as Linda reveals her shapely body while spurting out a stream of expletives. She writhes in demonic ecstasy as Bianchi offers us Jesus Franco - style crotch shots, just in case we are in doubt as to what the guests are gawping at.

MALABIMBA somehow manages to keep the sex and the story going at the same time, mainly because the sex is the story [Ed - There's a version with hard-core inserts added] , but with this kind of movie there's not a lot to get analytical about. Bianchimaybe noJodorowskyorZulawski, but his films are always worth checking out Thestory ends with Sister Sofia throwing herself off the parapet because she can't come to terms with letting Linda fist-fuck her.

On the other hand , maybe Linda's fist wasn't all that entered her and she decided to do a Father Karras style sacrifice to end the chain.

Ornella Micheli asst ed: Bruno Micheli, Elena Laurent! Thefilm begins with GeorgeEastman in a lunatic asylum sneaking off for a frenzied stand-up quickie with one of the nurses, while another male inmate takes in an eyeful and masturbates furiously.

The rest of the movie is told in flashback and shows how old George landed in the asylum. In an obvious attempt to cash-in on Lucio Fulci's ZOMBI 2 the plot revolves around a Carribean island, voodoo rites and a horde of pasty- facedzombies, with the addition of sex and comedy.

Massaccesi himself described the results as "a farce. Mario Alabiso unit manager: Tony Moore, Edward G. Muller Edoardo Mulargia St: Sergio Chiusi, Roberto Estevez ph: Gumersindo Andres Lopez m-u: Giuseppe Ferranti asst dir: UK - KM, Global. Ralph Brown Renato Polselli ph: Armando Novello pro man: Alfredo Senzacqua, Fabrizio Vicari ed: Lamberto Mancini, Pietro Tomassi ad: Francesco Cuppini set decorator: Alfio Bruno Tempera mus: Gloria Fava asst m-u: Roberto Ranucci asst dir: The titular motel is the setting for this excuse to display as much naked female flesh and wall-to-wall sex as the plot will allow There's a blackmailer who photographs nude models during the day-time and spends his evenings snapping couples in the act at the play motel.

There's also a black-gloved murderer who seems to have wandered in straight from agiallo. The only clues to the identity of the killer are some brief eyeball macros. Tired looking Inspector Anthony Steffen is on hand as the detective on the case.

For lovers of inane ditties there are a couple of splendidly awful and rather catchy songs. Francisco Bellet, Franco Campitelli dir: Jose' Ramon Larraz, Mauro Ivaldi ph: Jose' Luis Matesanz ad: Skulls talk from buckets, sandwiches are made with live lizards, a lecherous dwarf lurks under a woman's skirt as she writhes about - this is all a bit surreal.

Spanish comedies may be an acquired taste, but if you want to find out what it's about, this is a good place to start. After seemingly endless soft and hard-core sex scenes the group finally arrive on the island only to discover that it is inhabited by a mutant with a huge phallus. He subsequently kills the male members of the expedition and rapes the females. Ann] Goren is kidnapped by the monster who mistakingly recognises her as his dead wife. Brawny Mark Shanon saves her and they set out to sea in a rowing boat to fuck happily ever.

There are some moments of pure 'genuis' such as when one of the characters comments that there are no signs of life, yet on the soundtrack you can hear birds chirping away. The dialogue is also unbe- lievable, such as when Shanon and Goren discuss the pros and cons of deep-frozen lobsters compared with American hot dogs! It's uncertain who Massaccesi was aiming the film at because the combination of hard-core and horror is unlikely to have attracted either the raincoat crowd or gore fans.

Maybe he simply knew that it would ultimately be appreciated by fans of the weird and diverse. Disguised as humans , they disco verthe pleasures of sex and so don 't want to return to theirown planet. Co-op Rinascita Carcano ex pro: Armando Todaro pro man: Luigi Montefiore George Eastman ph: Luigi Filippo Carta ed: Giulio Natalucci asst dir: Giampiero Mele dubbing ed: Nevertheless, the plot, like the train itself moves along at a cracking pace. Three petty criminals take control of a train and unwittingly expose all the sexual vices and petty jealousies of the bourgeois passengers.

Delgado Madrid pro man: Jose' Maria Nunes Nunez sc: Alessandro Alejandro Ulloa cam: Jeffrey Bogart Gianfranco Amicucci ad: Guido and Maurizio De Angelis m-u: Gregorio Meniri asst dir: Years later, Lilian, the leather clad daughter of the murdered woman returns to the small village where she was born.

All around the village she encounters symbols of magic. Things turn nasty when, on a nostalgic visit to her childhood school , she Is attacked by a hooded man with an axe. Every man who has sex with Lilian, she always passes out when she reaches orgasm , dies soon after. All this is observed by her petulant and beautiful sister, Lilith who spies on their love- making and frigs herself furiously.

It transpires that the two sisters have a psychic connection, andLilith is possessed by the spirit of the witch Kira. The films ends with the sisters having a vicious cat-fight In which they tear each other's dresses off. There are echoes of French director Jean Rollin's erotic horror In this film, particularly in the fog shrouded graveyard scenes.

George Smith Bruno Mattei? Another little-known mondo effort. Joint Working Group pro: Unlike Carpenter's seminal work, this film has remained totally obscure. The ultra-kitsch opening credit sequence with disco muzak is a real stunner! Adriano Boizoni, Aldo Lado ph: Richard Jaws Keil plays the deranged giant. With 'cute' robots, a Darth Vader clone, and other SW imitations. Ironically, this unpretentious ef- fort turns out to be far more entertaining than ifs juvenile inspiration.

A scene of a topless girl being tortured was cut from the British cinema release to secure an 'A'rating, but late night TV printsare intact. Fernando Di Leo st; Mario Gariazzo ph: Luis Enriquez Bacalov cast: Dallesandro acts mean and moody again as a criminal who returns to a small holiday villa to dig up some stolen money hidden beneath the fire- place.

Unfortunately, his plans are Interrupted when a young couple and their female friend arrive. Sleazy highlights include Dallesandro peeking in on naked Lorraine De Selle as she masturbates to the sound of the couple in the bedroom having loud, passionate sex, and Dallesandro forcing Macchia and De Selle to fuck at gunpoint while Bhen watches. Ugo Tucci, Fabrizio De Angelis pro man: Elisa Briganti and Dardano Sacchetti uncredited ph: Franco Bruni underwater ph: Ramon Bravo, Paolo Curfo ed: Carlo Ferri prod des: Gianetto De Rossi asst: Maurizio Trani asst dir: The zombies are far more grotesque and chilling than those in Romero's DAWN OF THE DEAD of which this is the unofficial 'prequel' and despite some awkward plot contrivances there's a really sweaty and uncomfort- able atmosphere on the Carribean island where most of the action occurs.

The simplistic synthesizer score is memoraby infectious. The film is only really marred by an unintentionally comic ending In which a New York radio reporter is heard screaming "I've just been informed that zombies have entered the building.

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